The Midtown West resident stays busy, logging time at the gym, the office and the studio, where he’s been working on the album, “Street King Immortal.”
Also the week of Jan. 7: Female playwrights take over Washington, D.C.; and Andrey Zvyagintsev gets a retrospective at MoMA.
Also the week of Dec. 31: The cellist Alisa Weilerstein at the New York Philharmonic; and the Public’s dependably enticing Under the Radar Festival.
There's no question that Blade Runner 2049 revolves around computer-generated effects, whether it's the retro-futuristic technology or its holographic AI personas. However, the CG is more pervasive than you might think. Rodeo FX has released a visual…
The unlikely scene-stealer in a documentary about the 1966 opening of the Metropolitan Opera House at Lincoln Center reflects on the film and her career.
The blink-and-you-might-have-missed-them cultural moments that brightened up a year otherwise defined by turmoil and tragedy.
Director Sean Baker ripped up the filmmaking rulebook by shooting his Sundance hit Tangerine on an iPhone 5s. Now, over two years since the flick scooped more than seven times its budget at theaters, the Oscars has come knocking. No, the filmmaker is…
She talks about her leap from the Disney Channel’s “K.C. Undercover” into adult fare as a trapeze artist in “The Greatest Showman.”