Lydia Steier’s “The Magic Flute” riffs on “The Princess Bride” and Hans Neuenfels’s “Pique Dame” explores the privileges money can bring.
A Mark Morris world premiere, part of the Mostly Mozart Festival, is awkward and has much less to say than the Schubert work it’s paired with.
A new work by Ashley Fure and a Mark Morris dance to Schubert were among the highlights.
New York Times photographers have long captured the outdoor sounds of summer in the city.
Our guide to the city’s best classical music and opera happening this weekend and in the week ahead.
A 17-year-old violinist and a Mozart string quintet were among the highlights.
The center has overhauled its summer offerings. But its signature festival is now suffering from an identity crisis.
Britain’s classical music scene relies heavily on freedoms that come from European Union membership. How will it cope outside the bloc?