Redbox has spent years trying to reduce its dependence on disc rentals, and not without reason. You don't have much as incentive to rent from a kiosk when online video (including from Redbox) is just a heartbeat away. That doesn't mean the company is…
Want to build a movie library without having to re-purchase all the DVDs and Blu-rays you already purchased? Walmart’s streaming video service Vudu has you covered, with a new feature available via its iPhone and Android mobile apps. The new “Disc-to-Digital” feature allows users to scan the barcode on the case for their DVD or Blu-Ray movies, pay a $2 per movie fee for… Read More
Next week at CES Samsung will debut its second Ultra HD Blu-ray player, along with new "Ultra High Quality" (UHQ) audio hardware. The M9500 Ultra HD Blu-ray player looks like any other deck, however, Samsung says it will be able to automatically set…
In what'll undoubtedly become a rarer event in the future, a brand new physical media format has arrived in the UK today: 4K Ultra HD Blu-Ray. Understandably, the selection is relatively slim on day one. There are a total of 12 official launch titles…
Kaleidescape arrived at this year’s CEDIA event with a couple of fresh news items to accompany its mainstream-adjacent $3,995 Cinema One player. Its online Kaleidescape Store is getting a boost by adding the ability for customers to add digital copies for their existing Blu-ray discs. At launch it only supported DVDs, but now customers can get high quality, discless access to movies they already own HD editions of, just by putting a disc in the player. The price for Ultraviolet access across devices and an excuse to stop getting up from the couch to put the disc in (although, if you’d like to buy an expensive disc changer instead we’re sure Kaleidescape won’t argue) is $1.99, so choose wisely. Finally, the company is expanding access to the store, which has opened its virtual doors in Canada for the first time, in addition to the US and the UK, where it launched back in May.
Sony has just announced the VPL-VW500ES 4K projector at IFA 2013 in Berlin, and though it didn’t name a price, said it’ll be much cheaper than its first 4K projector. Before you start re-arranging your theater room, though, the original VPL-VW1000ES cost a cool $25,000, so “cheaper” might be a relative term. If you’re undeterred, though, you’ll get full 4,096 x 2,160 4K resolution thanks to native 4K SXRD panels — technology that Sony lifted from its commercial cinema projectors. Other perks include 1,700 ANSI-lumen brightness (compared to 2,000 for the VW1000ES), a 200,000:1 contrast ratio, “Super Resolution” Blu-ray to 4K upscaling, Motionflow tech for less blur, and support for HDMI 2.0 — which permits 60fps 4K. Again, Sony hasn’t mentioned a price yet, but we did see it at a French retailer for 10,000 euros, meaning a $10,000 price seems feasible.
Sony also dropped a Full HD 3D model, the VPL-HW55ES projector, which replaces the VPL-HW50ES as its top 1080p dog while using the same SXRD tech. It boasts 1,700 ANSI-lumens, a 120,000:1 contrast ratio, a 5,000 hour lamp, an optical engine upgrade and Reality Creation technology. Both projectors offer wireless HDMI compatibility, and will arrive at some point next month. For more minutiae, check the PR after the break.
Kaleidescape’s Cinema One player has been many things to movie buffs, but “accessible” isn’t one of them — limited distribution and an emphasis on custom installs has kept it out of reach. The company is widening that scope with a redesigned Cinema One that’s almost as easy to install as an off-the-shelf Blu-ray player. It’s a tad more advanced than that, of course. The Cinema One integrates with most home automation systems, and it stores up to 100 Blu-ray quality movies (including Kaleidescape Store downloads). Viewers who need more storage can attach a second player or the older DV700 Disc Vault. The revamped Cinema One is still expensive at $3,995, but it’s at least easier to buy than its predecessor — Kaleidescape is selling the new media server as a walk-in purchase at Magnolia and other retail stores.
The announcement is wrapped in an aura of déjà vu: Universal Music Group is marketing an uncompressed, high-end digital audio format for Blu-ray called High Fidelity Pure Audio (HFPA). Where standard CD audio is 44.1KHz at 16 bits, HFPA’s A2D sampling rate clocks in at a sky-high 96KHz at 24 bits.
Analog elitists will maintain that even extremely refined sampling is inherently inferior to capturing unchopped waveforms, and while that argument is fun to test, it is academic in the context of wide consumer adoption. Can a new audiophile format gain traction in a technomusical world governed by convenience and mobility?