By Jill Serjeant
By Jill Serjeant
By Jill Serjeant
Ancient Chinese monsters are the least of Matt Damon's worries. In The Great Wall (in theaters Friday), the bankable A-lister plays a 15th-century European mercenary tasked with helping Chinese warriors protect their land against supernatural creatures. But the $150 million film has been saddled with controversy in the months leading up its release, with critics calling it a "blatant white savior narrative." Factor in harsh reviews (45% positive on aggregate site Rotten Tomatoes) and the action-adventure movie is projected to make just upward of $20 million this weekend, despite huge success in markets such as China, where it has amassed more than $170 million. Given Chinese audiences' increasing appetite for movies like Wall that are set and co-produced in their country, it "feels like a missed opportunity" that Hollywood isn't developing bankable Asian-American stars for this market, says Darnell Hunt, director of the Ralph J. Bunche Center for African American Studies at UCLA, which releases an annual study of diversity in the entertainment industry. Part of the problem is that studios have historically been preoccupied with Europe, where U.S. films have been distributed since the early 1900s, but represents "a relatively small part of the world's population," Hunt says. "This whole idea that Hollywood has perpetuated for years that people of color don't travel overseas as leads is pretty much an artifact. … The rest of the world wants to see diversity because the rest of the world is diverse." Wall is far from the first movie in recent memory to face criticism for whitewashing. Marvel's Doctor Strange and the upcoming Ghost in the Shell (in theaters March 31) garnered Internet backlash for casting white actresses Tilda Swinton and Scarlett Johansson respectively as characters who were Asian in their source material. And though Asian actors Jing Tian (Kong: Skull Island), Priyanka Chopra (Baywatch) and Donnie Yen (xXx: Return of Xander Cage) are featured prominently in new and upcoming event movies, they're still billed below mostly white stars. "Hollywood is slow to change," says Jeff Bock, senior box-office analyst for Exhibitor Relations. "They are fueled by the bottom line and that's the box office. If Asian actors can start carrying films by just their names above the title, you can certainly bet that Hollywood will cast them." Julia Kim, a casting director for Asian-fronted films such as last year's Spa Night and 2011's Oba: The Last Samurai, says she's "nicely encouraged" by the progress being made in front of and behind the camera, as studios increasingly go for color-blind casting, rather than looking for actors to fill roles written for a specific race. "Being open to ethnicity has become more of a common theme among lead roles and it's sort of the best person for the job," Kim says. Although there are fewer Asian actors in lead roles than Latinos and African Americans, "it's kind of a cultural thing," she says. "An acting career was never an option that parents encouraged (or) young adults felt like they could make a living as." But with Asian-American writers such as Mindy Kaling (The Mindy Project) and Aziz Ansari (Master of None) creating their own TV vehicles in which they star, and studios such as Universal and Disney launching diversity initiatives behind the scenes, there are more ways for Asian talent to be seen. "Now, more opportunity is there," Kim says. "It's encouraged Asians to pursue a career in acting."
This year’s Oscars has been hailed as more inclusive than previous awards shows. After two straight years of only recognizing white actors, seven of the 20 acting nominees this year are performers of color, tying a record. There are also a number of films, such as “Fences” and “Hidden Figures,” that deal with the African-American
Mark Hamill is mocking a death hoax after a fake news report falsely claimed he died. See screengrab below. On Thursday, the Twitter account “@SkyNiews” tweeted, “BREAKING: Mark Hamill has passed away age 65, most notable for his role in Star Wars as Luke Skywalker.” Accompanying the message was a memorial photo showing the actor with “1951-2017” designated on the picture. But “@SkyNiews,” despite appearances, is NOT Sky News, the authentic U.K. news outlet. This Twitter account is run by an impostor that is attempting to dupe people into thinking it is a legitimate feed for the media company. In addition to the deceptively similar name, the page also uses the official Sky News logo. Notably, while the link included in the falsified tweet does go to the actual Sky News website, it tellingly leads to a “page not found” message. And well, that’s because the real Sky News never reported Hamill’s death. And that’s because the star is alive and well. To his credit, Hamill is taking the hoax in stride. He amusingly tweeted in response, “Don’t rush me, already! #StillVeryMuchAmongstTheLivingThankYou.” The response has racked up 26,000 retweets and a whopping 50,000 “likes.” The baseless death rumor comes less than two months after the Star Wars family suffered a very real loss with the passing of Carrie Fisher. Everyone, including Hamill, is still in mourning. With that very true tragedy, fake ones like this are all the more disturbing.
<p>A look back at this week in entertainment history.</p>
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Master P and Romeo have proven time and time again that they are #FatherAndSonGoals.